“Seth material” search engine (Jane Roberts)

(Long pause.) The more you try to live “a life of service,” or to concentrate primarily upon providing such a service, the more then your artistic self displays its private nature.

(Long pause.) Ruburt made certain correlations. He thought, for example, of his own pajamas that he wears now instead of the jeans he wore before, and it seemed to him that in all his strivings he had in one way or another also acted like your friend whose jeans kept turning into the Turkish towel: he had been trying to protect an important way of relating to the world, or to protect a way of life.

(Long pause.) You kept your own studio apart, say, from the house’s living areas. The whole nature of your independent and joint creativity involved a retreat from the world that you both enjoyed, followed by, in the case of books, an expression in the world—in which, however, the books appeared in your stead: a way of life that involved usual publicity—lectures and so forth—seemed to threaten that kind of existence to Ruburt, in which he feared expression itself would be diverted, simplified, so that the message that finally did get through would not be the same message at all as the original one. Yet still, because of misunderstandings and old beliefs, he still felt a responsibility to act otherwise, a social pressure to do so. (All intently.)