“Seth material” search engine (Jane Roberts)

Some of this has to do with the complicated nature of creativity itself, and with the contradictions that seem to exist at certain levels. Your kind of creativity has always been together and jointly of a private nature—so much so that you do not even like to work in rooms too close to each other. You have often thought of living under more isolated surroundings. Ruburt has been fascinated at times by the idea of working nights, his ways of assuring such isolation. You began to accumulate some ideas of a different nature, wondering more about your responsibilities to the world as adults, wondering how “useful” art should be in the world.

(3:49.) Ruburt began to wonder about television and so forth for publicity. He wondered if he did not have the responsibility, again, to spread the psychic message outward. Many different pressures operated there. In later years, as books were finished, the matter of publicity would rise anew, but his relative success meant that the issues stayed in the air, so to speak. Your discussion reminded him of how he used to be (pause), and also brought up in his mind the seeming contradictions of creativity, in that it is private, but usually ends up as some kind of public expression.