“Seth material” search engine (Jane Roberts)

(All of that naturally led Jane and me into talking about our own experiences in NYC after our marriage. We went over a lot of ground, and it seemed to have very beneficial, even therapeutic effects for Jane. I kept recalling things about those times, and so did she as the morning passed.

(I added that I thought I was already doing, at least to some extent, what Seth advocated in the session—throwing away any sense of responsibility or financial reward in painting, at this time at least. I trusted that whatever might result from the painting would be beneficial in various ways, possibly including the financial if the need arose. I explained to Jane that I’d reached the point in the last year where I just couldn’t let anything interfere with the act of painting itself—and that I thought she needed an attitude like that in regard to her own work very badly. I could have said [in retrospect] that my attitude stemmed at least to a large degree from my watching her struggle with her own hang-ups. Not that I didn’t think I’d reach it on my own anyhow.