“Seth material” search engine (Jane Roberts)

(Long pause.) I do not want you to concentrate upon the situation any more, certainly, than you are doing, however. The idea is to keep the material as much as you can at a conscious level, then more or less drop it before picking it up again—without the steady bombardment. I mention this periodically. The idea of identifying with your pleasure, identifying yourselves with your pleasurable feelings and emotions, is highly vital. Small changes in your lives or habits can also be extremely helpful, because small as they are they break down habitual habits.

Your natural sense of enjoyment and pleasure will lead you back to your “work” naturally and easily.

If you could manage it, working nights for a temporary period will also have the same kind of value, again, while automatically adding its own elements —that is, of providing relative isolation in a different way. I realize the difficulty that involves both because of practical living, and the question of light for painting. The focus upon the idea of pleasure will further alter the situation for the better, however, for again it inserts a different kind of focus.