“Seth material” search engine (Jane Roberts)

First of all, children seek enjoyment. They recognize that enjoyment and self-satisfaction are important gateways to the development of their abilities. You drew because drawing gave you pleasure. Ruburt wrote for the same reason. You did not draw or paint because you felt a responsibility to do so.

(Long pause.) These issues are extremely vital in cases of creativity also, although they operate in all areas. The good parent, for example, is motivated by a sense of enjoyment and fulfillment, in which case his or her “responsibilities” are almost automatically reinforced and performed. People usually talk about what they should do only because they have forgotten how to remember what they want to do.

For some years, to varying extents, Ruburt and you also to a lesser degree became motivated by ideas of who you should (underlined) be, what you should (underlined) be doing, and what your responsibilities were. That tendency became stronger as our “work” became better known. To some extent—with some important variances, having to do with quite legitimate ideas of art—such feelings have also been behind many of your own responses to, say, the appearance of the books, as public packages in the world (intently). In Ruburt’s case the idea of responsibility became far more pervasive, resulting in what I have referred to as being almost a superself image—an image composed of his ideas of the kind of person he should (underlined) be in his position. That image largely at least ignored his own likes or dislikes. He felt he should do many things, for example, that he did not really like to do at all. Small doses of such attitudes can be handled, of course: people do not have to be entirely satisfied with their own performances in order to be reasonably happy and healthy. Remember that you react to interior events, not just to physical ones.

(9:08.) In the main you do what you want to do. Your idea of responsibility may give you a very poor rating, however, in your own eyes for your practical performance in life. The idea of responsibility, as it is understood (underlined), is at its heart other-directed. It may even lead to the idea that the enjoyment of the self alone is wrong. Often chronic physical problems are the end result of such dilemmas. Ruburt felt for years that he should (underlined) become a more public person, do workshops, television shows, radio tours or whatever—that he should (underlined) nearly perform miracles in the psychic arena, that he should have a large class, that he should hold as many sessions for others as possible. Those ideas come to him constantly, of course, or those suggestions, through the mail, the expectations of others, or his observation.

Ruburt began to feel a pressure as the books became better known to carry out a kind of responsibility, not simply to sell books, for example, but to get the message out into the world, to help others—all considerations that seemed to be—he thought—the acceptance of adult behavior on his part: actions that would be more or less expected of him. Again, they were actions that to a large degree went against the grain. They could be performed, however, to some extent, at least some of them, and he could on occasion enjoy them, and he did well enough, for example, with public speaking or the few shows that you did.

I gave you a session not too long ago dealing with the natural person, and specifically with Ruburt’s natural characteristics. I outlined the ways in which he naturally behaved. This other-directed superself image, however, largely of social construction, superimposes the idea of responsibility over the idea of enjoyment, and in many cases is in direct contradiction as far as Ruburt’s natural tendencies are concerned.

As he began to understand to some degree that he need not be expected to do tours and so forth, he thought of the radio shows as alternate ways of fulfilling his responsibility. The information I gave about his arms in the past was correct. It is also true, however, that his hands and arms became more aggravated in their condition precisely because he did not want to be able to hold the phone to do an hour show. In response, he thought about a gadget that would automatically allow him to speak without holding the phone for so long—this in response to Prentice’s latest project. Tam hinted some time ago that additional ads and advertising to that effect would probably take place. Chronic physical disabilities and problems drag on in a certain fashion because they serve many purposes, and the last groups of sessions show the interior and exterior kinds of controls that those symptoms have provided.

Ruburt did well today, and made the proper decisions finally, being much more aware of his own psychological mobility as his moods and his body statements changed. The idea of the letter was excellent, and represented your contribution (to Prentice-Hall). Your own difficulty with notes on our books or whatever comes mainly when you forget your own self-directedness and sense of enjoyment, and replace those with a sense of responsibility.

In Ruburt’s case throughout these years, the idea of responsibility took over too much prominence. (Long pause.) His difficulties with inspiration arise when he forgets his ideas of natural enjoyment and replaces those with the idea that “he has a responsibility to use his abilities”—as if he would not fulfill them motivated by his own enjoyment and love.

The overdone sense of responsibility can erode love and satisfaction. Ruburt “loved” to do housework at one time. Later his ideas of responsibility told him he should be working—not because he wanted to be working, but because he should be. At the same time those same worldly concerns led him to wonder about the validity of his own “messages”—and how responsible he was to the world for them—so the symptoms also served to give him a greater sense of caution, to temper creativity, for all the reasons stated in the Sinful-Self material.

(Upon thinking it over—it’s now Sunday afternoon as I finish typing the session—I now believe that I should have said little or nothing, and I became concerned lest I undid, or tried to, what progress Jane has managed to achieve lately. I was angry at session’s end, however, with the fact that she had responded to the publicity dilemma with aggravated hand and arm symptoms, and that it had taken me so long myself to realize what was going on. It made me question what we were doing generally, that such an obvious response should escape our notice. All of this is based on my deep concern for what has befallen Jane—or, more truthfully, what she has created for herself with my cooperation.