“Seth material” search engine (Jane Roberts)

(Long pause.) These issues are extremely vital in cases of creativity also, although they operate in all areas. The good parent, for example, is motivated by a sense of enjoyment and fulfillment, in which case his or her “responsibilities” are almost automatically reinforced and performed. People usually talk about what they should do only because they have forgotten how to remember what they want to do.

For some years, to varying extents, Ruburt and you also to a lesser degree became motivated by ideas of who you should (underlined) be, what you should (underlined) be doing, and what your responsibilities were. That tendency became stronger as our “work” became better known. To some extent—with some important variances, having to do with quite legitimate ideas of art—such feelings have also been behind many of your own responses to, say, the appearance of the books, as public packages in the world (intently). In Ruburt’s case the idea of responsibility became far more pervasive, resulting in what I have referred to as being almost a superself image—an image composed of his ideas of the kind of person he should (underlined) be in his position. That image largely at least ignored his own likes or dislikes. He felt he should do many things, for example, that he did not really like to do at all. Small doses of such attitudes can be handled, of course: people do not have to be entirely satisfied with their own performances in order to be reasonably happy and healthy. Remember that you react to interior events, not just to physical ones.

(9:08.) In the main you do what you want to do. Your idea of responsibility may give you a very poor rating, however, in your own eyes for your practical performance in life. The idea of responsibility, as it is understood (underlined), is at its heart other-directed. It may even lead to the idea that the enjoyment of the self alone is wrong. Often chronic physical problems are the end result of such dilemmas. Ruburt felt for years that he should (underlined) become a more public person, do workshops, television shows, radio tours or whatever—that he should (underlined) nearly perform miracles in the psychic arena, that he should have a large class, that he should hold as many sessions for others as possible. Those ideas come to him constantly, of course, or those suggestions, through the mail, the expectations of others, or his observation.

He feels somewhat guilty because he stopped holding his large class at 458 West Water Street, thinking that such a change represented a retreat from an action he should have continued. He stopped when the class became too public, too large—and therefore out-of-keeping with the requirements of his own nature (intently.

Ruburt began to feel a pressure as the books became better known to carry out a kind of responsibility, not simply to sell books, for example, but to get the message out into the world, to help others—all considerations that seemed to be—he thought—the acceptance of adult behavior on his part: actions that would be more or less expected of him. Again, they were actions that to a large degree went against the grain. They could be performed, however, to some extent, at least some of them, and he could on occasion enjoy them, and he did well enough, for example, with public speaking or the few shows that you did.

No conscious decisions were ever really clearly made, because Ruburt felt that ideally (underlined), if he were giving himself true freedom and being true to all his abilities, he would and should be performing in such a manner. He would naturally want to be at least on the most intelligent of television shows, for example, or speak to those groups for which he had some respect.

The fact is, however, that he is himself a different kind of person. The radio shows were the least bothersome. He at least could do those at home. He did not want (underlined) particularly to do any of them, though he enjoyed most of them once he began. What he enjoyed, however, was the radio’s fairly secret quality—the fact that he was hidden, and yet his voice went out into the world.

As he began to understand to some degree that he need not be expected to do tours and so forth, he thought of the radio shows as alternate ways of fulfilling his responsibility. The information I gave about his arms in the past was correct. It is also true, however, that his hands and arms became more aggravated in their condition precisely because he did not want to be able to hold the phone to do an hour show. In response, he thought about a gadget that would automatically allow him to speak without holding the phone for so long—this in response to Prentice’s latest project. Tam hinted some time ago that additional ads and advertising to that effect would probably take place. Chronic physical disabilities and problems drag on in a certain fashion because they serve many purposes, and the last groups of sessions show the interior and exterior kinds of controls that those symptoms have provided.

Ruburt has been working with them on a much more conscious level. The stability of the system of course is threatened. The difficulty with Ruburt’s arms and hands bother his typing now, showing him finally in no uncertain terms that the system has served its purpose long ago, and that his creativity is dependent upon psychological and physical mobility. The symptoms have been aggravated to some extent, then, bringing to the forefront of his mind the very problems that require his attention.

Ruburt did well today, and made the proper decisions finally, being much more aware of his own psychological mobility as his moods and his body statements changed. The idea of the letter was excellent, and represented your contribution (to Prentice-Hall). Your own difficulty with notes on our books or whatever comes mainly when you forget your own self-directedness and sense of enjoyment, and replace those with a sense of responsibility.

In Ruburt’s case throughout these years, the idea of responsibility took over too much prominence. (Long pause.) His difficulties with inspiration arise when he forgets his ideas of natural enjoyment and replaces those with the idea that “he has a responsibility to use his abilities”—as if he would not fulfill them motivated by his own enjoyment and love.

The overdone sense of responsibility can erode love and satisfaction. Ruburt “loved” to do housework at one time. Later his ideas of responsibility told him he should be working—not because he wanted to be working, but because he should be. At the same time those same worldly concerns led him to wonder about the validity of his own “messages”—and how responsible he was to the world for them—so the symptoms also served to give him a greater sense of caution, to temper creativity, for all the reasons stated in the Sinful-Self material.

(10:13.) Your joint decision to tackle the entire situation shook the status quo, of course. It does also represent the highest therapeutic value, however, as such issues are brought out into the open. Ruburt is learning to understand that it is safe to be himself; he must learn to rediscover the sources of his own pleasure, for these provide the most dependable indications by which actions and decisions can be taken.