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TPS6 Deleted Session July 17, 1981 3/46 (7%) publicity enjoyment radio responsibility Prentice
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session July 17, 1981 8:47 PM Friday

[... 7 paragraphs ...]

(“But it’s the same old story,” I told Jane when I asked that she have a session tonight, to deal with her hands and arms, and Seth’s remark. “I’m the one who’s asking for it, not you.” What I wondered, of course, was why she wasn’t the one who demanded the help.

[... 8 paragraphs ...]

For some years, to varying extents, Ruburt and you also to a lesser degree became motivated by ideas of who you should (underlined) be, what you should (underlined) be doing, and what your responsibilities were. That tendency became stronger as our “work” became better known. To some extent—with some important variances, having to do with quite legitimate ideas of art—such feelings have also been behind many of your own responses to, say, the appearance of the books, as public packages in the world (intently). In Ruburt’s case the idea of responsibility became far more pervasive, resulting in what I have referred to as being almost a superself image—an image composed of his ideas of the kind of person he should (underlined) be in his position. That image largely at least ignored his own likes or dislikes. He felt he should do many things, for example, that he did not really like to do at all. Small doses of such attitudes can be handled, of course: people do not have to be entirely satisfied with their own performances in order to be reasonably happy and healthy. Remember that you react to interior events, not just to physical ones.

[... 12 paragraphs ...]

I do not mean to make derogatory statements concerning your social world. Generally speaking, however, the kind of person who performs as a public figure is not the kind of person who could produce highly creative material of an original nature. The public format requires a kind of social shorthand that does not allow for the development or expansion of ideas or creativity, so that the attempt to explain anything like “our work” would be extremely difficult in that regard. We are not speaking to the mass world, and television is set up for the mass audience, for the other-directed part of people.

[... 15 paragraphs ...]

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