“Seth material” search engine (Jane Roberts)

Ruburt’s intellect and his emotions, working together, work joyfully in his writing, his psychic endeavors, and his subjective experience in general. They unite and stimulate his creative abilities so that he does what comes naturally, easily and vitally to him, searching out his own view of reality—but in certain areas the intellect and the emotions begin to separate in their visions of the picture of the world. The intellect (long pause, eyes closed) disapproves of certain feelings and emotions because the intellect, allied with (pause) the social aspects of reality, thinks in terms of a public face, or respectability, of its position with other adults in the world.

Some of this is difficult to clarify, because affairs are not really all that clearly cut (emphatically). (Long pause.) When united, the intellect and intuitions do well. The intellect, however, wants the emotions to be perhaps more respectable than they are, neater, held better in check, well-dressed. It wants approval from the world. In Ruburt’s case, it began to worry that the exuberant, spontaneous, emotional parts of the self would allow their search for truth and creativity to get out of bounds, bringing some danger, perhaps, rather than honor—or at the very least scorn and criticism.

We are now involved with reassuring Ruburt that it is safe to move, and ultimately that it is safe to relax. We are trying to reassure him that relaxation is indeed a part of a creative process, and that it also makes all other motion possible. (Pause.) Such a statement can be accepted by all portions of the self, but it must be emphasized time and time again. In the meantime, there can seem to be other reasons, different ones, that crop up to make his attitudes seem more rational. These are part of the modes of behavior adopted by the portion of the self held in custody, so to speak.