“Seth material” search engine (Jane Roberts)

(Putting off Dreams, it seemed to me, was a necessity at the moment because I now believed that the long interlude in her dictation was, again, a clear sign of resistance to the project on Jane’s part. The idea is an attempt to at least call a halt to something that she has resisted from the start, or so it seems in retrospect—and I mean the start of the sessions, not just Dreams. I reminded her that I was the one who first suggested we start publishing the Seth material, and that she’d had reservations about doing that. It seemed to me now that a clear course of hanging back had been displayed by Jane all though our psychic endeavors, and that it could be easily charted if we took the time to do so. I said that she would have probably used her psychic gifts in some fashion in her writing, but that the Seth books might very well have not come into existence except for my own interest—hence my mental insight this morning that Jane did the Seth books to please me. I know things aren’t that simple, but I do feel that the fact of public exposure represented by the Seth books has always bothered Jane. And currently she has been bothered more than ever, as she has described in her December 27, 1980 paper. This upset includes her work on her own latest, The God of Jane.

(Like class, Jane has often been threatened by the mail, only more overtly, as well as by personal visitors who sought us out. Another example of this occurred at noon, when we were visited by two beautiful young ladies—who, unfortunately, were using the Seth material in ways we wouldn’t have. All such incidents, I told Jane, reinforce individual actions on the part of readers that would be quite rejected by the establishment: further signs of how far outside accepted thought Jane has found herself over the years. I explained here that I thought this has always bothered her deeply. No reviews in accepted journals, no welcome in the universities by academia, as she herself wrote in God of Jane. And of course the whole lengthy disclaimer bit for Mass Events beautifully sums up the situations: Even our own publisher seeks to protect itself from possible legal action because of the material within the Seth books. Jane sees this as a threat, although she doesn’t say much about it. And I for one wonder about disclaimers for future books—or even having them added to past works.

(Even today’s mail, which we read after finishing our discussion, contained several beautiful examples of points I’ve described above. This brought up another matter—our being confronted with the work we have published, as well as by Mass Events and God of Jane. No way to get away from those fifteen books of the past, I said, so to that extent we have to live with the results they engender. I too wondered about dispensing with answering the mail, while being very reluctant to do so, since many of the letters are openly laudatory, and we save them for reference [although we haven’t actually used any for such purposes]. But therein lies trouble, too, I said, because they would reflect Jane’s concern about public exposure, her fears about leading people astray.

(I repeated in our discussion that it was perfectly all right with me if Jane chose not to publish any more Seth books, but concentrated on her own works, and she said she understood this. It’s my personal opinion, at least of the moment, that it will be quite a while before Dreams is either finished or printed. At least Jane now has some breathing space, and the cycle of resistance may be interrupted, say, if not reversed yet. We now have time for Framework 2 to operate. In this interim I may do some work on Dreams myself, or start something of my own.

(After breakfast on the morning of the 5th I read this session to Jane before typing it in the afternoon. Seth’s statement stopped me in what seemed to be a new way personally—for I don’t think I’ve considered that Jane might even see Seth’s own material as in competition—or as even a threat, although I don’t care for that word —to her. This whether the material was published or not. Yet Jane said she’d had such thoughts occasionally. I don’t recall her telling me about them, though.)

(9:40.) In that regard he felt that he was violating an important cultural taboo, and embarked upon a program that would necessitate caution, self-protection, and a certain detachment. He was determined to go ahead, because his own value fulfillment sought those directions—such was his nature. My published works, however, presented him with what he felt to be a public stance in a different fashion than his own would (louder). My books automatically seemed to suggest a framework of reference to which few others could have access.

(That topic ties in with my idea that I mentioned to her this afternoon, about it hardly being a coincidence that many events in our lives are coming to a head at the same time: Our deep upset about Jane’s condition; the trouble with the disclaimer idea for Mass Events; Prentice-Hall’s reorganization into the General Publishing Division, in which all of their narrative books will be phased out, thus eliminating any real need for Tam and his job; indeed, Tam is looking at other job offers even now. [It’s been my position for some time now that Tam will end up leaving Prentice-Hall, or will be let go.] If and when he does go, we will be without our friend there, and will have to make decisions based on that departure. But we may be in the process of making such decisions even now, I suspect. I doubt if we would follow Tam helter-skelter to another publishing house if he left Prentice-Hall tomorrow—especially in light of our decision to hold off on Dreams. And the irony of the situation is that, even though we detest the idea of the disclaimer for Mass Events, we see it as another means of protection in the public arena....