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TPS6 Deleted Session February 4, 1981 9/67 (13%) public exposure latest disclaimer books
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session February 4, 1981 8:56 PM Wednesday

[... 2 paragraphs ...]

(It came about because of several factors I’ll try to list in at least rough chronological order. The first of these would be Jane’s nearly extreme physical changes over the past few months, her ups and downs as far as mobility, feelings, aches, restless sleep, etc., are concerned. Seth has said again and again that these changes represent improvements growing out of our better understanding of our beliefs, our artistic/creative work, and indeed our whole life-style. We have tried to go along with his pronouncements, but also have felt numerous misgivings, as may be quite natural.

[... 12 paragraphs ...]

(I also learned during the discussion that Jane didn’t like the Seth book material being tied too closely to current events, as witness Mass Events and Jonestown and Three Mile Island. She reminded me also that even the title of Mass Events, when Seth had given it, had alarmed her, or at least aroused some sort of defensive mechanism in her—something I’d forgotten. On the other hand, I’d taken it for granted that the way Seth had used current events in Mass Events had been quite natural and extremely informative, offering a much broader view of human affairs. This little dilemma also pointed up some of Jane’s other reactions to remarks I would make, innocently enough, I thought, to the effect that Seth could do a great book on any number of current events—the latest being the whole hostage question. She hadn’t really been in favor of such endeavors, then, even when she discussed them with me.

(Nor, I might add, had I ever pressed her to do books with Seth on current events. It’s clear now that she would see such efforts as leaving her too open to public attack. The same goes for appearances on TV—as note our recent involvement with the ABC news offer—and, probably, on radio. In short, then, it seems that any overtures she may choose to make about encountering public reaction to her abilities will —and should be—of her own choosing. Perhaps if she attains a sense of inner peace and protection she will come to naturally make such choices; doing which will encourage her feeling of personal freedom and safety instead of threatening it.

[... 10 paragraphs ...]

(Now slowly at 9:13:) Ruburt is very highly gifted—extraordinarily so in many respects. The nature of his gift generally speaking, however, presupposes or implies the existence of vast reaches in the psyche—reaches that if (pause) unwisely compared to the usual portions of the self, can seem to leave the usual self in a position of inferiority by contrast.

[... 6 paragraphs ...]

(Pause.) He is appalled with the way that many people interpret my material. Sometimes it seems he would prefer even a smaller but more select group of readers (with amusement)—readers who were tops in their fields, or who in one fashion or another earned his respect. The point is that our books reach all kinds of readers in all walks of life. That is because all kinds of people are innately acquainted with the nature of self-evident knowledge.

They may misinterpret its nature, project it outside of themselves, turn it into a hobby, a chore, a religion, an art, a rigorous set of laws—but reading my books, they recognize the authority of the inner psyche.

[... 2 paragraphs ...]

(9:40.) In that regard he felt that he was violating an important cultural taboo, and embarked upon a program that would necessitate caution, self-protection, and a certain detachment. He was determined to go ahead, because his own value fulfillment sought those directions—such was his nature. My published works, however, presented him with what he felt to be a public stance in a different fashion than his own would (louder). My books automatically seemed to suggest a framework of reference to which few others could have access.

[... 1 paragraph ...]

Again, definitions of personality are important here. Ruburt could read poetry without first having to define the nature of a poet. He could meet any criticisms with suitable explanations, since any audience was not about to question the poet’s psychological validity. Any arguments would take place within an implied framework of definitions.

[... 6 paragraphs ...]

Give us a moment.... the books themselves—mine as well as his—are themselves indications of achievements (pause) that are not easily broken off, since they represent the natural, creative development of his own abilities and growth. They also provide, if you realize it, the solutions to your dilemmas, as I hope you shall shortly see. That is, they provide you with that larger framework of understanding, for the old frameworks of understanding force you to continue to explore your reality for larger definitions. In those areas of concern, then, Ruburt is still involved with too-small definitions.

[... 18 paragraphs ...]

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