“Seth material” search engine (Jane Roberts)

(Putting off Dreams, it seemed to me, was a necessity at the moment because I now believed that the long interlude in her dictation was, again, a clear sign of resistance to the project on Jane’s part. The idea is an attempt to at least call a halt to something that she has resisted from the start, or so it seems in retrospect—and I mean the start of the sessions, not just Dreams. I reminded her that I was the one who first suggested we start publishing the Seth material, and that she’d had reservations about doing that. It seemed to me now that a clear course of hanging back had been displayed by Jane all though our psychic endeavors, and that it could be easily charted if we took the time to do so. I said that she would have probably used her psychic gifts in some fashion in her writing, but that the Seth books might very well have not come into existence except for my own interest—hence my mental insight this morning that Jane did the Seth books to please me. I know things aren’t that simple, but I do feel that the fact of public exposure represented by the Seth books has always bothered Jane. And currently she has been bothered more than ever, as she has described in her December 27, 1980 paper. This upset includes her work on her own latest, The God of Jane.

(Like class, Jane has often been threatened by the mail, only more overtly, as well as by personal visitors who sought us out. Another example of this occurred at noon, when we were visited by two beautiful young ladies—who, unfortunately, were using the Seth material in ways we wouldn’t have. All such incidents, I told Jane, reinforce individual actions on the part of readers that would be quite rejected by the establishment: further signs of how far outside accepted thought Jane has found herself over the years. I explained here that I thought this has always bothered her deeply. No reviews in accepted journals, no welcome in the universities by academia, as she herself wrote in God of Jane. And of course the whole lengthy disclaimer bit for Mass Events beautifully sums up the situations: Even our own publisher seeks to protect itself from possible legal action because of the material within the Seth books. Jane sees this as a threat, although she doesn’t say much about it. And I for one wonder about disclaimers for future books—or even having them added to past works.

(Even today’s mail, which we read after finishing our discussion, contained several beautiful examples of points I’ve described above. This brought up another matter—our being confronted with the work we have published, as well as by Mass Events and God of Jane. No way to get away from those fifteen books of the past, I said, so to that extent we have to live with the results they engender. I too wondered about dispensing with answering the mail, while being very reluctant to do so, since many of the letters are openly laudatory, and we save them for reference [although we haven’t actually used any for such purposes]. But therein lies trouble, too, I said, because they would reflect Jane’s concern about public exposure, her fears about leading people astray.

(I remarked to Jane today that if I’d known what I think I know now, today, a month ago we could have withdrawn Mass Events from Prentice-Hall, using the disclaimer dispute as an excuse, and delayed its publication for as long as we wanted to. I added that although we’d talked about doing so—and had even mentioned doing so in our letter to the legal department last December—I’d also felt that she wouldn’t stand for such an action. Now, it seems that we will have to deal with the public as far as Mass Events goes. All of these kinds of reasons apply to God of Jane also, as far as I can tell, though probably to a lesser degree.