“Seth material” search engine (Jane Roberts)

(Like class, Jane has often been threatened by the mail, only more overtly, as well as by personal visitors who sought us out. Another example of this occurred at noon, when we were visited by two beautiful young ladies—who, unfortunately, were using the Seth material in ways we wouldn’t have. All such incidents, I told Jane, reinforce individual actions on the part of readers that would be quite rejected by the establishment: further signs of how far outside accepted thought Jane has found herself over the years. I explained here that I thought this has always bothered her deeply. No reviews in accepted journals, no welcome in the universities by academia, as she herself wrote in God of Jane. And of course the whole lengthy disclaimer bit for Mass Events beautifully sums up the situations: Even our own publisher seeks to protect itself from possible legal action because of the material within the Seth books. Jane sees this as a threat, although she doesn’t say much about it. And I for one wonder about disclaimers for future books—or even having them added to past works.

(That topic ties in with my idea that I mentioned to her this afternoon, about it hardly being a coincidence that many events in our lives are coming to a head at the same time: Our deep upset about Jane’s condition; the trouble with the disclaimer idea for Mass Events; Prentice-Hall’s reorganization into the General Publishing Division, in which all of their narrative books will be phased out, thus eliminating any real need for Tam and his job; indeed, Tam is looking at other job offers even now. [It’s been my position for some time now that Tam will end up leaving Prentice-Hall, or will be let go.] If and when he does go, we will be without our friend there, and will have to make decisions based on that departure. But we may be in the process of making such decisions even now, I suspect. I doubt if we would follow Tam helter-skelter to another publishing house if he left Prentice-Hall tomorrow—especially in light of our decision to hold off on Dreams. And the irony of the situation is that, even though we detest the idea of the disclaimer for Mass Events, we see it as another means of protection in the public arena....

(I remarked to Jane today that if I’d known what I think I know now, today, a month ago we could have withdrawn Mass Events from Prentice-Hall, using the disclaimer dispute as an excuse, and delayed its publication for as long as we wanted to. I added that although we’d talked about doing so—and had even mentioned doing so in our letter to the legal department last December—I’d also felt that she wouldn’t stand for such an action. Now, it seems that we will have to deal with the public as far as Mass Events goes. All of these kinds of reasons apply to God of Jane also, as far as I can tell, though probably to a lesser degree.