1 result for (book:tps6 AND heading:"delet session februari 4 1981" AND stemmed:reread)
[... 4 paragraphs ...]
(I didn’t fully grasp the significance of these interludes while working on Mass Events, not until I reread the other night Jane’s paper of December 27, 1980. She’d written that treatise at my request following some remarks she’d made. I’d read it, but it hadn’t penetrated sufficiently at the time. In it she tied her eye trouble and other symptoms with her fears about public reactions to her Seth work—her fears of its rejection, etc., and that she might—indeed, has—found herself outside the accepted realms of science, religion, etc., because of her psychic work.
(As soon as I reread her paper the evening before last, I was reminded of the two excerpts I’d copied from recent deleted sessions—those for January 26 and 28, 1981. In them Seth briefly explained how Jane had created her symptoms as protection against the spontaneous self going too far: this fear was the real reason for the symptoms—not, as we usually thought, her fear that she would do other things besides work if she had normal mobility. The latter idea is a cover-up for the previous one. To Jane, going too far means that she would find herself in an unsafe position in the world. And to me, as I began to put all of this together, it meant that although she did the Seth books, which we think so highly of, she also drags her feet in resistance with each one—hence the long intervals of non-work that crop up during the production of each one. Again, without checking, I think that an examination of our records would show that her symptoms flared up, indeed worsened, as she worked on each Seth book, and that behind her labors on each book there lay this fear that she was going too far with each one she produced. This fear may be based on outmoded ideas—as Seth has mentioned at various times—it may make no sense, or whatever, yet as long as it exists it must be dealt with. This present session represents, then, our latest attempt to come to terms with all of our personal, public, and creative aspects involved with the Seth material—not just those we’d chosen to deal with in past years.
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