“Seth material” search engine (Jane Roberts)

It often seems to him that to relax is to be lax, to let down, do nothing, achieve nothing, as if spontaneously left alone he would be lazy, unambitious, and again lax. He has those feelings and fears. (Pause.) At the same time there are feelings that to relax would be to let go too much (louder)—slide into overly spontaneous behavior, to lack control over one’s life, to lose the observer’s fine focus. As his body begins to relax—as indeed it has—those feelings become more prominent than before. Under the circumstances he is handling them rather well.

The idea that it is indeed safe to relax is important, coupled with the realization that all creativity is basically now—basically—effortless, and that this applies to the body’s motion also. When he is effortlessly creating a poem he is not worried that he is relaxing too much, or going too far, or giving up control. Instead, he is letting go by going with himself (all intently)—and that attitude makes all the difference.

It is very important that Framework 2 be remembered, that overall suggestions be creative while open (intently), rather say than at this time too closed-ended. Talking with you is highly important now, many of the feelings that the rigidity hid, you see, now come into consciousness—an excellent situation because they can be and are being encountered. The entire arena of public endeavor brings up questions about the differences between spontaneous and controlled behavior, of course (long pause)—an issue we will go into another time, but thoroughly.