“Seth material” search engine (Jane Roberts)

(All of this is a simplification, of course, for we had a rather lengthy discussion about it. Yet I could see that I confused Jane somewhat: for she’d used that typical suggestion about trusting her body for years, and I had agreed with it, at least tacitly, besides using similar suggestions myself at times.

(But with a new insight growing out of this month’s series of private sessions, I explained, I now felt that one could more directly get at the heart of one’s challenges, instead of trying to cajole the body into behaving differently—after all, the body’s condition was the result of certain ways of thinking, not the cause of the trouble. In addition, it was obvious that the body hadn’t responded to those habitual suggestions over the years, so something else was needed. The cause of Jane’s symptoms is her fear of the spontaneous self—that is the area that needs treatment. One might better address the fears of being the public person, for example, rather than trying to futilely patch up a body that was only faithfully following mirroring habits of deep and long standing.

(Now Jane agreed with all of this at the time, but later while painting I wondered whether I’d been too vehement in what I’d said. I didn’t want her to feel bad. And I learned during the day that our talk had upset her considerably, even though I’d told her I felt that there was “a lot of hope” in the ideas expressed in our discussion. Jane further echoed my concern when she said later that she didn’t know what suggestions to give herself when she went to the john, and later got onto the bed. Yet I felt that I was on to something good, and asked Jane pretty definitely to see that Seth discussed the subject tonight. I also wanted him to talk about the subject we’d mentioned for Monday night’s session, but which hadn’t been covered: the reasons for her sore backside, and what she could do to help ease her hip and leg discomfort. Somehow we got totally off that subject when Seth went into the interesting topic of PKMB, or psychokinetic metal bending. But at this time in these sessions we’ve got to get all the new data we can to help in our own hassles.

The idea that it is indeed safe to relax is important, coupled with the realization that all creativity is basically now—basically—effortless, and that this applies to the body’s motion also. When he is effortlessly creating a poem he is not worried that he is relaxing too much, or going too far, or giving up control. Instead, he is letting go by going with himself (all intently)—and that attitude makes all the difference.

I am trying to hit all important points. (Pause.) I will in time, along with your questions, give some material, again, on Ruburt’s attitudes toward both of his parents as these relate to his difficulties. For now, however, I will bring the session to a close, though he may hold brief spontaneous sessions, you know, at other nights than our usual ones. I bid you a fond good evening.