“Seth material” search engine (Jane Roberts)

To some extent the physical senses themselves are scandalized. In microscopic experiments, however, the senses themselves cannot perceive such altered behavior in the same fashion (underlined). They are not used to dealing with such miniature events to begin with, nor do they identify with them. To that extent there is great freedom.

It is the conscious mind as it is trained in your society that deals with black and white thinking, apropos of one of your questions. The connection between black and white thinking and creativity is legitimate, but it exists the other way around: as a rule the artist or creative person is (underlined) creative to the extent that he or she escapes black and white thinking, for the creative person deals with syntheses, original versions of reality and the consideration of different groups of probabilities—groups that appear otherwise very unlikely together from the standpoint of black and white thinking.

(Pause at 9:45.) The changed pattern of activity is helping Ruburt. It is (underlined) an excellent idea for him to write down any and all improvements he notes in each day. They become part of the physical evidence of the world.

His body is changing at microscopic levels—highly important. (Pause.) The major issue is indeed the reminder that he can trust his own native rhythm and motion—that it is safe to express himself in his natural life. The main point also is to be relieved of comparison with a super image, with thoughts of what he should be, and an acknowledgement of his own (underlined) feelings about any event or situation. He did indeed identify with his own tensions, so that as these are relieved he is sometimes frightened.