“Seth material” search engine (Jane Roberts)

In that fashion, as you mature from infancy you become neurologically responsive to certain pathways of activity, while ignoring other quite valid neurological phasing. To an extent you develop habitual patterns of reference in that regard, so that certain cues in the environment automatically trigger the familiar neurological activity.

From a very small amount of physical data, then, certain kinds of developments are deduced, and almost automatically such passageways are activated. (Pause.) A very small example: the smell of an orange may instantly provide you with a mental image of one, so that that received from one sense is picked up in a fashion by the others—all serving in one way or another to give you a more completed picture of the object or event involved.

(Pause.) In your creativity you both largely avoid black and white thinking, and automatically leap out of that framework. The conscious mind is quite willing to let go in that regard, for art not only provides it with enjoyment but fulfills its own framework of action. It does not regard art as a game, exactly, but it does not expect the same rules to apply, either, to a painted apple on a canvas and a real one.