“Seth material” search engine (Jane Roberts)

This applies—again, generally speaking—whether or not actual book dictation is involved. Difficulties arise, however, in book dictation on those occasions when he becomes too heavy-handed and worries about the responsibility of helping to solve the world’s problems—about his or my capacities in that regard, and when he considers the possible and various objections that any given subject matter might activate on the part of any given group of people. So if the area becomes too sensitive we let dictation go for a while. Sometimes I insert the particular material in your private sessions first of all, so that he becomes somewhat acclimated to it.

The only other times there is any such difficulty also involve responsibility when he concentrates upon his responsibility to hold the sessions—that is, when he focuses upon need, function, or utility as separate from other issues involved. Such feelings can then for a while override his natural inclinations and his natural enjoyment and his natural excitement with which he otherwise views our sessions.

There are, also, natural rhythms, as I have mentioned, and it is understandable enough to take breaks now and then whether or not you even understand why you want them. When you are concentrating upon responsibility, however, then each lapse becomes a lapse from responsible action, and complicates the inner spontaneous rhythm that to a large degree is automatically maintained.

(10:05.) Ruburt’s abilities—and your own, for that matter—came to light because they are natural characteristics of your beings. They bring you enjoyment, fulfillment, understanding, excitement, discovery. Now that can be said of your painting and of Ruburt’s poetry. Ruburt writes poetry by himself, but left alone, enjoys reading it later to others. (Pause.) In a strange fashion he does not feel a responsibility to write poetry—he doesn’t use the ability because he thinks that he should. In fact, sometimes he writes poetry when he thinks that he should not be doing so, but instead doing something more responsible.

Now basically he has the sessions because he enjoys them, and so do you. On top of that, however, the whole idea of responsibility has played an overheavy hand, and it is this idea of responsibility—overplayed—that is to a large degree responsible for the idealized image of the public person with which Ruburt has unsuccessfully tried to compete.

(Pause.) You had some time ago an old newspaper article you had saved, on the dangers of using the words “should” or “would” too often—and there is perhaps nothing else you could do that is as detrimental to the true development of the natural self. Part of the difficulty in what Ruburt thinks of as the development of his abilities, or the more frequent insertion of inspirational work of his own, is the very fact that he feels so responsible to so thusly perform. All of these issues are highly important. The idea of responsibility, as described here, blocks creativity, hampers natural psychic and physical flow: “I should be doing thus and so.” “What do I like to do? What do I feel like doing? What makes me feel good?” Those questions are far more pertinent. When you want to do something truly there are usually few real impediments. Desire flows freely into action.

It is further inhibited if that sense of responsibility is wedded to solving the problems of the world or of correspondents, or when such an attempt is allowed to tinge any book sessions. I am not here referring to Mass Events, which was indeed directed toward the condition of the world, but to matters—whatever they may be—where Ruburt feels a responsibility on his part (underlined) for me to dictate specific material that might answer questions he thinks scientists or others might have in mind about any given subject matter; for I write from a different viewpoint, and our material is of course not to be dictated in any (pause)important way by the statement of your official knowledge at any given time. It is to rise beyond such categories. It is to present a larger thematic framework, which then can be used to put the world together in a different fashion for those who want to do so.