“Seth material” search engine (Jane Roberts)

—there are hidden aspects involved with creativity, of course—stages of development that do not show.

Ruburt had a reason for not going on tour, for example—one that was certainly acceptable enough in a world of conventional understanding. He was saved, so it seemed, from endless explanations; so with a kind of psychological economy that worked far too well for a time the symptoms served to keep him writing at his desk, to regulate the flow of psychic activity, making sure of its direction, and to provide a suitable social reason to refrain from activities that might distract him—from tours or shows, and also even from any onslaught of psychic activity that might follow any unseeming (underlined) spontaneous behavior.

The radio shows from the house pleased him for some time, but they also became taboo because he feared they might lead to other engagements of a more public venture that would be difficult to refuse. We are getting some of this through to him—hence the bodily responses, and relaxations. The last few sessions should be read carefully and kept in mind.