“Seth material” search engine (Jane Roberts)

In one way or another many artists of whatever kind seek to physically express these innermost overtones. As Ruburt mentioned, years ago in Sayre he would find someplace in your apartment that seemed somehow secret for his workroom. He would then momentarily, for a while, withdraw from the workaday world. On other occasions he would write nighttimes, letting those hours by themselves create their own moods of secrecy and isolation from the social environment.

(10:55.) Some of the members of your readership added to the pressure, of course (long pause). Behind all that you have earlier aspects of Ruburt’s life, involving habits of secrecy developed in childhood, the need for protection and so forth, that simply served to help build the framework. The young woman (Jane) found herself extremely uncomfortable to find your family members living together in one house—astounded by the thought of the family together in a trailer, frightened of the camp get-togethers. She could be expected to have some difficulties when presented with the thought that she should speak to gatherings of perhaps a thousand people or more, and that this was indeed her responsibility, all other feelings to the contrary.