1 result for (book:tps6 AND heading:"delet session februari 11 1981" AND stemmed:do)

TPS6 Deleted Session February 11, 1981 9/46 (20%) public arena spontaneous withdrawing white
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session February 11, 1981 10:00 PM Wednesday

[... 7 paragraphs ...]

(“Well, I guess I’m about ready,” Jane finally said, “but I do really think this will be short.” She’d said something very similar before launching into the last session, too. Re 458 below: The number of “our” apartment house in Elmira, NY.)

[... 2 paragraphs ...]

—there are hidden aspects involved with creativity, of course—stages of development that do not show.

[... 5 paragraphs ...]

He took it for granted that, ideally speaking, he should do such public work, that it was his responsibility, but also that it represented a natural expression of abilities that he was denying because of his fears. So often he told himself that if he got better he would only be too glad to go on television or whatever, or to do whatever he was supposed to do.

[... 1 paragraph ...]

He did not start out being a public speaker, for example. He likes the distance between himself and the public that books provide (emphatically). He is excellent at communicating ideas in writing or vocally, gifted in understanding people—so those abilities do come to his aid in public speaking engagements.

[... 2 paragraphs ...]

He has, however, held it over his head that if he improved he should then do such work—and that only fear held him back. He was afraid that the spontaneous self would go overboard in that direction. It is the spontaneous self, of course, as much as any other portion of the personality, that often spontaneously holds back when such issues are considered—the part that is somehow spontaneously offended—a very important point to remember. So the reasoning: “Get better, then you can go out into the world to go on television or whatever,” or “Once you get better, you will be delighted to go on television and tell your story”—those directives simply make the issues more muddy.

[... 1 paragraph ...]

The important point is that he has felt that he should perform publicly, to promote our ideas, and also because he felt he should do so, since he obviously could do so (all intently).

[... 5 paragraphs ...]

If Ruburt had wanted to join the public arena, nothing would have kept him out. The feelings of resistance do not signify cowardice, but quite spontaneous objections to activities that largely go against his grain, and certainly when they are presented in such a black or white framework to begin with.

[... 1 paragraph ...]

Now spontaneously he would give more sessions for others, quite happily and easily, but in the framework of the situation, the black or white aspect holds back such expression. (Pause.) He would probably see more groups, as you both did at 458 together, were it not for the black or white thinking, but this would be in response to quite spontaneous urgings to do so. (Pause.) The spontaneous self can quite spontaneously say no—and most of his spontaneous feelings toward the public arena are those of quick natural rejection.

[... 11 paragraphs ...]

(“Jane then wanted to do the Seth books and not do them. All of this reflects black or white thinking, of course. Jane could have ended up in as much trouble by not doing the Seth books as she did by doing them, then. As long as repression was used in either direction the whole personality would suffer. What is vital is that the whole personality understands each of its portions, accepts and believes in them, and trusts in their expression. All else in life would flow from that balanced creative free state of being. All portions of the personality will automatically integrate themselves with the others to the benefit of all. Then decisions can be easily made about what activities to pursue in daily life: what books to write, how to deal with the public, etc.”

[... 1 paragraph ...]

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