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TPS6 Deleted Session April 27, 1981 5/36 (14%) sensations damper fireplace raccoon leg
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session April 27, 1981 8:24 PM Monday

[... 2 paragraphs ...]

(For last night had been one of her most uncomfortable yet. She woke me up crying at 4 AM, with flashing, shooting sensations in her right leg, from the hip all the way down to the foot. “By the time it reaches the foot, it almost feels good,” she said. She’d taken Bufferin but it hadn’t seemed to help much. She has had similar sensations in recent days—see the chronology for the weekend as listed below—but last night they were steadier and more intense. Jane also had another series of dreams, but unfortunately could remember hardly anything of them. I rubbed her legs for half an hour, then she fell asleep. In fact, she was snoring before I could get back to sleep myself.

[... 1 paragraph ...]

(Frank, incidentally, had brought a ladder so he could get upon the roof to look down our chimney in an effort to see what creatures were causing the rumpus in the fireplace above the damper. With my flashlight, he glimpsed a medium-sized coon, but couldn’t tell if it was male or female, or whether it had young. He returned at 5 PM to drop a heavy rope down the chimney in the hope the raccoon might climb out. But then, I thought, it must be getting in and out by itself all along, for at least three weeks now, and I was sure that late at night I could hear more than one voice chattering above the damper. It certainly seemed that parents were feeding the young.)

[... 14 paragraphs ...]

All sense of proportion nearly vanishes. On a larger social scale the same thing applies in your wars (pause), in which the most drastic measures are considered as sane enough and reasonable if only the goal is “a good one.” Ruburt’s dreams have been helping him identify his own personal experience as he interpreted such beliefs in early life. (Long pause.) He has been bringing a combination of physical and mental events together, so that they can be encountered in the present and in the light of his new information.

[... 4 paragraphs ...]

(Pause.) The creative self is made to feel guilty for its own originality and productivity. (Long pause.) Added to all of this, you have varying social climates throughout a life. So the individual will also respond according to the cultural situation. If Ruburt understands these issues the entire affair will resolve itself, for he will feel at one with himself. (Pause.) He is getting rid of feelings and sensations however that have blocked his progress in the past. Again, the material should be read and discussed now, and let him mention specifically any events that come to mind naturally as you read or discuss the sessions.

[... 1 paragraph ...]

(Pause at 8:56.) The intensity of the hip and leg sensations has already reached a peak, and will be subsiding—and your own assistance last evening was invaluable. The main issue, again, is to reassure that one important portion of Ruburt’s personality that the self is not sinful, not bad or evil, and to show it the limited nature of the framework that so defined it.

[... 8 paragraphs ...]

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