“Seth material” search engine (Jane Roberts)

(Long pause at 8:42.) The Sinful Self is of course put upon, turned into what it is. It is not a natural psychological construct, so when it is allowed to it naturally seeks its own release also, when it is denied communication that is most difficult. Some of last night’s dream material dealt with the ideas, again, of creativity—sometimes seen as harmless enough for children, as in the play Ruburt remembered taking part in his Catholic public school. In larger measure, however, creativity was considered something that adults grew out of, a mark of a prolonged adolescence, particularly unsuited for the woman whose thoughts were meant to turn toward husband and child.

(Now the noise in the fireplace was fluctuating.) There you run into problems involved with Catholic or Christian devotion, the natural feedback needed in the development of creative work, and the striking originality of creative ventures that strike out on their own, forming their own paths.

(Pause.) The creative self is made to feel guilty for its own originality and productivity. (Long pause.) Added to all of this, you have varying social climates throughout a life. So the individual will also respond according to the cultural situation. If Ruburt understands these issues the entire affair will resolve itself, for he will feel at one with himself. (Pause.) He is getting rid of feelings and sensations however that have blocked his progress in the past. Again, the material should be read and discussed now, and let him mention specifically any events that come to mind naturally as you read or discuss the sessions.

(Pause at 8:56.) The intensity of the hip and leg sensations has already reached a peak, and will be subsiding—and your own assistance last evening was invaluable. The main issue, again, is to reassure that one important portion of Ruburt’s personality that the self is not sinful, not bad or evil, and to show it the limited nature of the framework that so defined it.