1 result for (book:tps6 AND heading:"delet session april 21 1981" AND stemmed:true)

TPS6 Deleted Session April 21, 1981 7/34 (21%) false fireplace Sinful true category
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session April 21, 1981 8:39 PM Tuesday

[... 3 paragraphs ...]

(She didn’t have any questions for Seth. “I think he’s going to go into some of that stuff I got last night about true and false, so I just thought I’d let him go.

[... 4 paragraphs ...]

You have a true or false world in that regard, and a relatively very flat psychological view of identity. Within that framework, however, you do have the creative abilities, and these stand out in their own fashions, since they “play with the facts.” They often do not honor conceptual conventions. They do not fit the true-or-false category. The imagination can of course conceive of many events, whether or not those events actually exist.

Straight-laced people have often frowned upon the use of the imagination, considering it most disruptive. (Pause.) From the beginning Ruburt has questioned whether or not our material gave a true explanation of reality—or at least presented one that was as approximately true as possible. Or were only creative hypotheses being offered? Was the material true or false?

The idea of the Sinful Self came into play here, for if the material was not true, then in that framework it must necessarily be false—or at the least very misleading. This led to many questions. Is creativity itself involved in a kind of mischievous lying? All of those questions make sense in a framework in which the dictums of one belief system—Christianity—are accepted as true, and everything that does not agree with them is accepted as falsehood.

[... 5 paragraphs ...]

(9:14.) The yes-or-no, true-or-false categories simply do not work when you are dealing with such issues. (Long pause.) In that regard it is important that he realize this. The entire concept of the Sinful Self can only exist at certain levels of experience. It can only seem to make sense in a very limited context. (Pause.) The creative abilities most often serve as psychological bridges, enabling man to conceive of the existence of realities outside of his own particular point of reference. They can hint at the greater diversity of being, the larger dimension of events. They can present dramatizations. They can serve as thresholds (long pause), but they cannot contain direct experience themselves with events that are intrinsically beyond those reaches.

[... 1 paragraph ...]

(Long pause.) Basic reality deals with far more than any true or false category, and the deeper dimensions of actuality contain the source material from which, indeed, your true or false world emerges—so it does Ruburt no particular good to overconcern himself. Our material is the best approximation, the best approximate model you can perceive of a vaster psychological field of existence.

[... 1 paragraph ...]

(9:34.) The same kind of recognizable standards that are normally applied to the true-or-false category do not work for such knowledge, since that knowledge is basically, automatically large enough to contain the entire true-or-false realm itself—that is, revelatory information puts true and false designations side by side, and ends up with a system large enough to contain both, in which each are seen as valid constructs that are only part of a larger view of psychological events.

[... 12 paragraphs ...]

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