“Seth material” search engine (Jane Roberts)

(That event, as well as the launching of the shuttle Sunday morning, had been very emotional doings for me, somewhat to my surprise. “But what makes me so furious,” I said to Jane Sunday, “is that the species has the ability to accomplish something like that, but then makes such a mess of things back home on the planet. I have the awful suspicion that if we had enough shuttle craft, and there was a habitable planet within range, that we’d move key members of the species there, start over and try to leave all of our troubles behind, instead of trying to solve them.”

(I kept trying to verbalize a thought that had come to me after supper tonight, but couldn’t get it out. “It’s got to do with understanding that one must protect or encourage personal integrity before anything else,” I said, “even if it means projecting one’s troubles out onto an entity like Prentice, the church, or whatever. Even though we can’t blame those entities, really, for doing much that we hadn’t allowed them to do....” But I knew I was trying to get at deeper approximations of some sort of truth, and so did Jane. As Seth says, we each do create our own reality.

For Ruburt: you do not lead people anywhere. You cannot force them to change their beliefs. (Long pause.) No most hypnotic fanatic leads any group of people astray. You make your own reality. The people use the materials of the world as they come into contact with them, in their own ways and for their own reasons. To imagine that you or anyone else can lead large masses of persons astray is a highly erroneous conception.

The books are different, however, while the poetry carries the more clearly recognizable stamp of his accepted identity, so he was afraid that I would lead people astray unwittingly perhaps, through the energy and power of our communications. That worry persisted, regardless of what kind of status he assigned to me. The relationship, of course, is unusual: very few people have such issues to contend with. Ruburt discovered how basically easy it was to have our sessions. But also how basically easy it was for his, say, Cézanne and James books also, for creatively he moved very quickly.

(Long pause.) He felt it his duty to examine his psychic material with supercritical force, since it seemed to come from the other side of consciousness, so to speak, and since it presented such a different picture of all aspects of reality. (Pause.) His symptoms served other purposes as well, though, as has been given often. In a fashion they served as regulators that he felt at one time allowed him to live on an even course, tempering spontaneity or psychic exploration lest it progress too quickly for him to follow, yet also protecting him from other distractions so that he could continue his explorations.

(10:12.) In other words, he felt he needed a countering force for his own spontaneity. He received some ideas of that nature from you in the past. In a way the symptoms were almost a method of presentation that in another fashion completely paralleled your own notes (an excellent point). In that regard they were meant to show that he was as reasonable, orderly, critical and responsible as your notes certainly showed you to be. The symptoms have fluctuated, serving sometimes one purpose more than the other—but what you have overall is a belief in a kind of braking power with which to handle spontaneous activity.