“Seth material” search engine (Jane Roberts)

Most people operate at one largely exclusive state of consciousness. Even most creative work is done at the recognized threshold of the normal waking consciousness. Ruburt was presented with—or presented himself with—a situation in which large portions of his creative life appeared in books that were written in another state of consciousness entirely. Little wonder, then, that he felt he must alert all natural and normal controls.

(Long pause.) He felt it his duty to examine his psychic material with supercritical force, since it seemed to come from the other side of consciousness, so to speak, and since it presented such a different picture of all aspects of reality. (Pause.) His symptoms served other purposes as well, though, as has been given often. In a fashion they served as regulators that he felt at one time allowed him to live on an even course, tempering spontaneity or psychic exploration lest it progress too quickly for him to follow, yet also protecting him from other distractions so that he could continue his explorations.

(10:12.) In other words, he felt he needed a countering force for his own spontaneity. He received some ideas of that nature from you in the past. In a way the symptoms were almost a method of presentation that in another fashion completely paralleled your own notes (an excellent point). In that regard they were meant to show that he was as reasonable, orderly, critical and responsible as your notes certainly showed you to be. The symptoms have fluctuated, serving sometimes one purpose more than the other—but what you have overall is a belief in a kind of braking power with which to handle spontaneous activity.