“Seth material” search engine (Jane Roberts)

If you believe that your own great energy can lead others astray, you are actually saying that others have no power of their own. Ruburt has been extremely cautious in the past, wanting to make sure, as mentioned, that he was not leading others down the proverbial garden path. He did not feel the same way about his poetry, which largely in its way states the same messages that our own books do.

The books are different, however, while the poetry carries the more clearly recognizable stamp of his accepted identity, so he was afraid that I would lead people astray unwittingly perhaps, through the energy and power of our communications. That worry persisted, regardless of what kind of status he assigned to me. The relationship, of course, is unusual: very few people have such issues to contend with. Ruburt discovered how basically easy it was to have our sessions. But also how basically easy it was for his, say, Cézanne and James books also, for creatively he moved very quickly.

(Long pause.) In that regard his symptoms developed more along the lines of exerting caution rather than, say, seeking protection. (Long pause.)It is as if someone on his own developed a spectacular amazing fast craft, and built a secondary system—a backup system—that allowed for great braking power in case this was necessary to offset the craft’s own speed.

(10:12.) In other words, he felt he needed a countering force for his own spontaneity. He received some ideas of that nature from you in the past. In a way the symptoms were almost a method of presentation that in another fashion completely paralleled your own notes (an excellent point). In that regard they were meant to show that he was as reasonable, orderly, critical and responsible as your notes certainly showed you to be. The symptoms have fluctuated, serving sometimes one purpose more than the other—but what you have overall is a belief in a kind of braking power with which to handle spontaneous activity.