“Seth material” search engine (Jane Roberts)

The books are different, however, while the poetry carries the more clearly recognizable stamp of his accepted identity, so he was afraid that I would lead people astray unwittingly perhaps, through the energy and power of our communications. That worry persisted, regardless of what kind of status he assigned to me. The relationship, of course, is unusual: very few people have such issues to contend with. Ruburt discovered how basically easy it was to have our sessions. But also how basically easy it was for his, say, Cézanne and James books also, for creatively he moved very quickly.

Most people operate at one largely exclusive state of consciousness. Even most creative work is done at the recognized threshold of the normal waking consciousness. Ruburt was presented with—or presented himself with—a situation in which large portions of his creative life appeared in books that were written in another state of consciousness entirely. Little wonder, then, that he felt he must alert all natural and normal controls.

If Ruburt had been involved in other endeavors requiring unusual amounts of expression and creativity, however, the same cautionary methods would also have been activated to varying degrees.