“Seth material” search engine (Jane Roberts)

Ruburt’s feelings of physical mobility are to some extent connected with his feelings of creative mobility—that is, the connections are strong.

Both the change in Tam’s position, and changes that take place in the company contributed, along with your own strong dissatisfactions with Prentice to begin with. Creatively, on that level alone, he also feels stalled, since he does not know whether or not to continue with my book, or whether or not to begin one of his own—so you have a stalled mobility, without any particular decisions being made of a clear-cut nature.

(“Why has he responded to his feeling—how did you put it?” I asked as I rummaged through the session’s earlier pages, which I’d thrown on the floor beside the chair—“stalled, by giving up his physical mobility even more so now? I’m terribly concerned about all of this. I don’t understand why he can’t walk inside his own house, at least, where it’s safe. The whole thing has become very threatening.”

(“But I don’t think asking him to be able to walk is a standard demand,” I said. “What good does his giving up his physical mobility do? There must be many other ways of calling attention to any problems than doing that.”