“Seth material” search engine (Jane Roberts)

(Pause at 9:10.) To such a degree, of course, the affair was, then, therapeutic. (Pause.) Ruburt is now far more willing to make certain changes in his life than he was earlier, and he sees himself more as one of a living congregation of creatures—less isolated than before, stripped down from the superperfect model, and therefore no more under the compulsion to live up to such a psychological bondage (all with some emphasis). He need not try to be the perfect self, then, the super-image—and in fact to some extent found himself the supplicative (self?), knocking upon creaturehood’s earthly door, as any creature might ask aid from another who found himself wounded through misadventure. He found a mixed world—one hardly black or white, one with some considerable give-and-take, in which under even the most regrettable of circumstances there was (underlined) room for some action, for some improvement, for some decision, for some creative response. The rules of the game have therefore been automatically altered. The issues are clearer, dramatically etched.

We do not want long drawn-out discussions of why and what exactly happened, simply to understand the dynamics of the activity. Ruburt can work with the self-image he has now. It is imperfect, but it is pliable and willing to change.