“Seth material” search engine (Jane Roberts)

(With all of the recent hassles involving family visits, publishers, and so forth, I’ve begun keeping that session in mind often. Now whenever I sense a conflict arising, I do as I’d figured out—and as Seth himself suggested recently: I ask the advice of the first man; what would he do in these situations? Usually the answer, in the vernacular, is short and sweet, as they say: The hell with it. This means that I sidetrack —but not try to repress—those cultural and learned beliefs I’ve let rule my life in large measure, instead of following the natural, creative dictates of my first, or primary man. I should give him a name.

(My own activities, then, have aroused in Jane the urge to try the same approach, and I’ve suggested she think of her own women numbers 1 and 2. It seems that she confronts the same basic challenges I do, I told her, so she could delineate the two opposing portions of her personality well enough to understand that many of her cultural beliefs have been imposed upon her natural, spontaneous, free, creative self, and to such an extent that the acquired beliefs have turned into detriments rather than aids, that she envisioned as helping her obtain what she wants in life. She wanted some material on the whole business tonight from Seth. She’s also told me that just this weekend has she realized that she really didn’t want to walk, as “long as it didn’t hurt too much not to.” An important insight that she can use to help free herself....

In one way or another, your creative abilities have always sustained you, at least with subconscious knowledge, and with a sense of the greater creative capacities always present within you. (Long pause.) You have always sensed more than you knew, both of you, so in that area Framework 2 has represented a natural affiliation with your conscious selves. You were creatively filled out by it.

You knew you were an artist, whether you sold or not, or whatever you did. You knew you were an artist. Your impulses led you to paint. They led you to write, also. They led you to fill out your creative self, to open new doors.

His creative spontaneous self created the body to begin with, and all of its physical desires were precisely those that his creative abilities needed—a quickness of body and mind working together, a quick perception mentally and physically, a natural exhilaration that is supported by (underlined) the power, of his own nature.

(10:20.) He overspecialized his ideas of creativity, for everything that comes to his attention is grist for the mill. As I said before, he must realize that it is safe and natural and good to express his being freely—not just a certain decided-upon portion of it.