“Seth material” search engine (Jane Roberts)

Ruburt’s dreams will be part of this evening’s discussion, as they apply directly to him and as they represent the beautiful, even exquisite imagery of the dreaming self in general. The art dream (of June 3), as I call it, has its opening scene in an art gallery, which represents a conventionalized view of art. Ruburt used painting as an art in the dream rather than writing (pause), because it symbolized your joint ideas of art—to some extent, now—and allowed him to have you in his mind as he viewed the dream events.

Timewise and symbolically, the third scene brings us to the point where Ruburt is determined to defend his art, his dedication, to such an extent that he hides from the world, and symbolically crawls on his belly, all the while seeking to escape the dilemma by finding an open door, or by hiding from pursuers in the shadows. These efforts fail. One portion of himself is a character, male, with bound hands, and Ruburt must help this person over barriers, of course because his hands are tied symbolically behind his back.