him

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TPS5 Session 858 (Deleted Portion) June 4, 1979 5/19 (26%) art scene dedication gallery vocational
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 858 (Deleted Portion) June 4, 1979 9:01 PM Monday

[... 5 paragraphs ...]

Ruburt’s dreams will be part of this evening’s discussion, as they apply directly to him and as they represent the beautiful, even exquisite imagery of the dreaming self in general. The art dream (of June 3), as I call it, has its opening scene in an art gallery, which represents a conventionalized view of art. Ruburt used painting as an art in the dream rather than writing (pause), because it symbolized your joint ideas of art—to some extent, now—and allowed him to have you in his mind as he viewed the dream events.

[... 1 paragraph ...]

The second scene takes place in a large office building that represents the world and its usual pursuits. Ruburt is offered a rather lucrative and fairly prestigious position. When his prospective employer sets a time for a meeting, however, by telephone, Ruburt cannot hear him clearly and so must double-check. This simply means that the voice of the world did not come through clearly as far as it offered other vocational opportunities. Ruburt knew he could gain sufficient-enough prestige by using his abilities in other directions; by being, say, a director of a gallery, or by accepting any of a number of positions, such as teaching, that had been offered him in the past.

[... 1 paragraph ...]

Developing symptoms kept him at home, away from such temptations. This should be taken into consideration with other material, of course.

[... 3 paragraphs ...]

He began to question as he awakened his motives for such frantic behavior. The dream gave him three scenes representing various areas of his life in terms of time—the institution of the gallery and his early ideas, the office representing the world, and his hiding place, which was a kind of storage barn. It stored old beliefs. From which he was seeking escape.

His other dreams, of the walking series (pause), are giving him practical physical education, for the muscles remember their proper motions, and these dreams help counteract his waking belief that it is difficult to walk. Messages are also going out to other people, who are aware at dream levels of Ruburt’s intent. They do add help and support. The dreams themselves have contributed to Ruburt’s relative compliance with growing bodily relaxation, and with his growing trust in his own impulses.

[... 3 paragraphs ...]

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