“Seth material” search engine (Jane Roberts)

Timewise and symbolically, the third scene brings us to the point where Ruburt is determined to defend his art, his dedication, to such an extent that he hides from the world, and symbolically crawls on his belly, all the while seeking to escape the dilemma by finding an open door, or by hiding from pursuers in the shadows. These efforts fail. One portion of himself is a character, male, with bound hands, and Ruburt must help this person over barriers, of course because his hands are tied symbolically behind his back.

(9:20.) Ruburt, however, objects, and that Ruburt represents the portion of the personality who is still clinging to old beliefs, but losing its leadership. The group of beliefs are breaking up, and can no longer count upon such blind obedience. As Ruburt wakens, he realizes that nowhere in the dream did he have any reason to hide. No reason was given for the pursuit itself, for he was being pursued now and then at least, by several people.

He began to question as he awakened his motives for such frantic behavior. The dream gave him three scenes representing various areas of his life in terms of time—the institution of the gallery and his early ideas, the office representing the world, and his hiding place, which was a kind of storage barn. It stored old beliefs. From which he was seeking escape.