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TPS5 Session 858 (Deleted Portion) June 4, 1979 5/19 (26%) art scene dedication gallery vocational
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 858 (Deleted Portion) June 4, 1979 9:01 PM Monday

[... 2 paragraphs ...]

(Before the session I asked Jane if she had any questions for Seth. She’d written poetry today, besides doing a little housework. Now we went over her recent dream activity, in the event Seth chose to offer material on that. Jane’s dreams have been vivid and positive for the most part, concerning physical improvements, etc. Attached is her record of her dreams from June 1-3. Seth opened the session by discussing her June 3 dream. Jane had been much more relaxed than usual today.

[... 2 paragraphs ...]

Ruburt’s dreams will be part of this evening’s discussion, as they apply directly to him and as they represent the beautiful, even exquisite imagery of the dreaming self in general. The art dream (of June 3), as I call it, has its opening scene in an art gallery, which represents a conventionalized view of art. Ruburt used painting as an art in the dream rather than writing (pause), because it symbolized your joint ideas of art—to some extent, now—and allowed him to have you in his mind as he viewed the dream events.

[... 6 paragraphs ...]

(9:20.) Ruburt, however, objects, and that Ruburt represents the portion of the personality who is still clinging to old beliefs, but losing its leadership. The group of beliefs are breaking up, and can no longer count upon such blind obedience. As Ruburt wakens, he realizes that nowhere in the dream did he have any reason to hide. No reason was given for the pursuit itself, for he was being pursued now and then at least, by several people.

He began to question as he awakened his motives for such frantic behavior. The dream gave him three scenes representing various areas of his life in terms of time—the institution of the gallery and his early ideas, the office representing the world, and his hiding place, which was a kind of storage barn. It stored old beliefs. From which he was seeking escape.

His other dreams, of the walking series (pause), are giving him practical physical education, for the muscles remember their proper motions, and these dreams help counteract his waking belief that it is difficult to walk. Messages are also going out to other people, who are aware at dream levels of Ruburt’s intent. They do add help and support. The dreams themselves have contributed to Ruburt’s relative compliance with growing bodily relaxation, and with his growing trust in his own impulses.

[... 3 paragraphs ...]

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