“Seth material” search engine (Jane Roberts)

In the framework of this discussion, now, only, you have a male’s universe. It is a universe endowed with male characteristics as these appear in the male-female orientations of your history. The universe seems to have no meaning because the male “intellect” alone cannot discern meaning, since it must take nothing for granted. Even though certain characteristics of the universe are most apparent, they must be ignored.

In those terms, the male-oriented intellect wants to order the universe, name its parts, and so forth. It wants to ignore the creative aspects of the universe, however, which are everywhere apparent, and it first of all believes that it must divorce itself from any evidence of feeling. You have in your history then a male god of power and vengeance, who killed your enemies for you. You have a prejudiced god, who will for example slay the Egyptians on behalf of the Jews to retaliate against previous Egyptian cruelty. The male god is a god of power. He is not a god of creativity.

You run into many contradictions. God is supposed to be male. The soul is sometimes considered female. The angels are male. Now let us look at the Garden of Eden. The story says that Eve tempted the male, having him eat of the tree of good and evil, or the tree of knowledge. (Pause.) This represented a state of consciousness, the point at which the species began to think and feel for itself, when it approached a certain state of consciousness in which it dared exert its own creativity.

(Pause.) This is difficult to verbalize. (Pause.) It was a state when the species became aware of its own thoughts as its own thoughts, and became conscious of the self who thinks. That point released man’s creativity. In your terms, it was the product of the feminine intuitions (though, as you know, such intuitions belong to both sexes). When the passages were written, the species had come to various states of order, achieving certain powers and organizations, and it wanted to maintain the status quo. No more intuitive visions, no more changes, were wanted. Creativity was to follow certain definite roads, so the woman became the villain.