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TPS5 Session 853 (Deleted) May 14, 1979 6/32 (19%) feminine male creativity connotations prostitute
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 853 (Deleted) May 14, 1979 9:46 PM Monday

[... 2 paragraphs ...]

(Neither of us had questions for Seth in particular. That is, I said, “I could ask 5,000 questions, but I haven’t planned any for tonight.” Jane said we could have “just a question-and-answer Seth book”—one made up of just those ingredients, without the formal session format. “But the publisher would want it organized according to subject matter, or presented in some orderly way,” I replied, whereupon she wrinkled her face at the work this might involve: “But you could do all that after we got the material....”

(Actually, this evening’s session grew out of several insights Jane had given voice to in recent days, and osme relaxation effects that had followed several of those. “But right now I’m just waiting,” she said impatiently at 9:40 PM, after we’d been sitting since 9:25 or so. “It makes me so mad. Here I was all set to go earlier.” Then she amended: “It makes me mad because I feel like I’m in an odd in-between subjective state. It isn’t comfortable—I want to be one thing or the other, maybe....”

[... 8 paragraphs ...]

In those terms, the male-oriented intellect wants to order the universe, name its parts, and so forth. It wants to ignore the creative aspects of the universe, however, which are everywhere apparent, and it first of all believes that it must divorce itself from any evidence of feeling. You have in your history then a male god of power and vengeance, who killed your enemies for you. You have a prejudiced god, who will for example slay the Egyptians on behalf of the Jews to retaliate against previous Egyptian cruelty. The male god is a god of power. He is not a god of creativity.

Now, creativity has always been the species’ closest connection with its own source, with the nature of its own being. Through creativity the species senses All That Is. Creativity goes by a different set of rules, however. It defies categories, and it insists upon the evidence of feeling. It is a source of revelation and inspiration—but revelation and inspiration do not initially deal with power, but with knowing. So what happens often in your society when men or women have creative bents, and good minds to boot?

(10:03.) The Catholic Church taught that revelation was dangerous. Intellectual and psychic obedience was much the safer road, and even the saints were slightly suspect. Women were inferiors, and in matters of religion and philosophy most of all, for there their creativity could be most disruptive. Women were considered hysterics, aliens to the world of intellectual thought, swayed instead by incomprehensible womanish emotions. She was to be handled by wearing down her energy through continual childbirth.

[... 14 paragraphs ...]

(She laughed. “You are so strange,” she said. “Here you won’t go to the marketplace, but you think of saving all of these private sessions for posterity, to give them to the world. You’re very close-mouthed: you don’t blab our personal business, as you put it, but you’d do that.... Instead, I see us when I’m 80 and you’re 90, out in the backyard, burning it all.”

[... 1 paragraph ...]

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