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TPS5 Session 853 (Deleted) May 14, 1979 4/32 (12%) feminine male creativity connotations prostitute
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 853 (Deleted) May 14, 1979 9:46 PM Monday

[... 9 paragraphs ...]

Your scientists are generally, now, intellectually oriented, believing in reason above the intuitions, taking it for granted that those qualities are opposites. They cannot imagine (pause), life’s “initial” creative source, for in their terms it would remind them of creativity’s feminine basis.

[... 1 paragraph ...]

(Pause.) You must understand I know that the terms male and female here are being used as they are generally understood, and have nothing to do with the basic characteristics of either sex.

[... 11 paragraphs ...]

You run into many contradictions. God is supposed to be male. The soul is sometimes considered female. The angels are male. Now let us look at the Garden of Eden. The story says that Eve tempted the male, having him eat of the tree of good and evil, or the tree of knowledge. (Pause.) This represented a state of consciousness, the point at which the species began to think and feel for itself, when it approached a certain state of consciousness in which it dared exert its own creativity.

(Pause.) This is difficult to verbalize. (Pause.) It was a state when the species became aware of its own thoughts as its own thoughts, and became conscious of the self who thinks. That point released man’s creativity. In your terms, it was the product of the feminine intuitions (though, as you know, such intuitions belong to both sexes). When the passages were written, the species had come to various states of order, achieving certain powers and organizations, and it wanted to maintain the status quo. No more intuitive visions, no more changes, were wanted. Creativity was to follow certain definite roads, so the woman became the villain.

[... 6 paragraphs ...]

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