1 result for (book:tps5 AND session:853 AND (stemmed:"good evil" OR stemmed:"evil good") AND (stemmed:man OR stemmed:men OR stemmed:human))

TPS5 Session 853 (Deleted) May 14, 1979 8/32 (25%) feminine male creativity connotations prostitute
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 853 (Deleted) May 14, 1979 9:46 PM Monday

[... 5 paragraphs ...]

Good Evening.

(“Good evening, Seth.”)

[... 6 paragraphs ...]

Now, creativity has always been the species’ closest connection with its own source, with the nature of its own being. Through creativity the species senses All That Is. Creativity goes by a different set of rules, however. It defies categories, and it insists upon the evidence of feeling. It is a source of revelation and inspiration—but revelation and inspiration do not initially deal with power, but with knowing. So what happens often in your society when men or women have creative bents, and good minds to boot?

[... 9 paragraphs ...]

You run into many contradictions. God is supposed to be male. The soul is sometimes considered female. The angels are male. Now let us look at the Garden of Eden. The story says that Eve tempted the male, having him eat of the tree of good and evil, or the tree of knowledge. (Pause.) This represented a state of consciousness, the point at which the species began to think and feel for itself, when it approached a certain state of consciousness in which it dared exert its own creativity.

(Pause.) This is difficult to verbalize. (Pause.) It was a state when the species became aware of its own thoughts as its own thoughts, and became conscious of the self who thinks. That point released man’s creativity. In your terms, it was the product of the feminine intuitions (though, as you know, such intuitions belong to both sexes). When the passages were written, the species had come to various states of order, achieving certain powers and organizations, and it wanted to maintain the status quo. No more intuitive visions, no more changes, were wanted. Creativity was to follow certain definite roads, so the woman became the villain.

I have given material on that before. To some extent, then, Ruburt became afraid of his own creativity, and so did you. In Ruburt’s case the fear was greater, until it seemed sometimes that if he succeeded in his work he would succeed at some peril: you might be put in an unpleasant light, or he might become a fanatic, displaying those despicable, feminine hysterical qualities. (With much humor:) I hope this session benefits you both. End of session, and a fond good evening.

(“Thank you, Seth. Good night.”

(10:35 PM. Jane’s trances and delivery had been good. “I didn’t know he was going to do that,” she said after I told her it was an excellent session. “Maybe that’s why I felt so uncomfortable before the session. Now I feel exhausted. I could go right to bed, but I won’t....”

[... 3 paragraphs ...]

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