“Seth material” search engine (Jane Roberts)

(More intently:) When dream information is also considered a social asset, or even a political one, when it is seen as one of the many tools of assessing private and national probabilities, then dream recall and interpretation becomes highly prominent, and can be raised to the highest of arts. When it is not recognized, or when the individual looks mainly to the exterior environment as the provider of information, then the dream’s contents are projected onto objective events.

The Christ drama is a case in point, where private and mass dreams were then projected outward into the historical context of time, and then reacted to in such a way that various people became exterior participants—but in a far larger mass dream that was then interpreted in the most literal of physical terms. Even while it was, it also got the message across, though the inner drama itself was not recalled, and as the dream merged with historical events, and as it was interpreted by so many, its message also became distorted—or rather, it mixed and merged with other such dreams, whose messages were far different.

Look at your nuclear reactor troubles at the plant by Harrisburg (Three Mile Island). The entire idea of nuclear power was first a dream—an act of the imagination on the part of private individuals—and then through fiction and the arts a dream on the part of many people. Instantly, probabilities spun out from that dream in all directions with vast potentials and dangers.

Some of the scientists equate nuclear power with man’s great curiosity, and feel that they wrest this great energy from nature because they are “smarter than” nature is—smarter than nature, smarter than their fellow men—so they read those events in their own way. The probabilities are still surging, of course, and in private and mass dreams people try out all kinds of endings for that particular story.