“Seth material” search engine (Jane Roberts)

(This is more or less what I was getting, and told Rob, though I’ve probably forgotten some things. That Rob was having a “body vacation” or that his body was taking a vacation, a rest; and that the contrast between his floppy state and his usual one would let him know how tight he’d been.... Something about us not taking vacations….and even not wanting to rest between mental creative projects; that Rob had his stomach troubles when he needed a rest....a vacation of some sort could have prevented that....but since we prefer to do things differently, we should frequently arrange changes in our lives....that we control....changes in the house, routine, hours....or even a week off to do the house or yard or whatever.... The mind wears the body out sometimes....and then the body sends signals of distress....

(The first portion of these notes—as indicated—was written after supper on Monday night, preparatory to what I thought would be the regularly scheduled session for the evening. However, the session wasn’t held. Let me explain.

(As soon as she saw that I couldn’t take notes. Jane began describing to me what she’d started to pick up from Seth about my condition. I was both very interested and so far out in my own world of sensation that I could hardly comment. I was taking a “body vacation,” she told me. She said much more, which she wrote about briefly Tuesday afternoon at my request. Her notes are inserted at the end of my notes. Seth, Jane said, would explain the whole thing in the next session, whenever that would be held.

(But nevertheless, I knew I was having a most beneficial experience, and one that might very well head off other, deeper troubles. This I understood quite clearly. I believed Jane-Seth’s material about my being on a “body vacation.” It was impossible for me not to believe it, considering that I’d felt so poorly since early in the month, and that I was so much better right now. I just hoped more beneficial results would flow from the experience, and I was appalled that I’d been that badly off, that “tight,” so that my body greatly needed such a drastic kind of relief.

You became discontented, however, drawn yourself toward fine arts. Yet even these involved a highly specific nature. The world of art galleries is highly esoteric in its own fashion. Beside this, however, you were still searching for some direction that would allow you the greatest opportunity to provide at least a glimpse of the kind of excellence that you always carried as an ideal in your mind. That impetus was always with you in this life.

It is the communication of the ideal of excellence that is so important to you. You also initially, before this life, wanted to achieve some kind of overview that would unite the arts, and that would introduce a new kind of psychological art. You suggested the ESP book—hardly a coincidence. Hardly indeed, for intuitively you knew where it would lead.

(Long pause.) The two of you mixed and matched your characteristics, and put them together in such a fashion that they would jointly form a completely new kind of creation, in terms of art and psychology, and this was bound to produce expansions of your consciousnesses, and stresses and strains, when you came across portions of your ideas that had not grown along with the rest of you. The sessions, as they exist, exist as they do because of your actions and Ruburt’s.

At a certain point your body does not care. It relaxes you anyway. Now Ruburt has much slighter versions, in which, say, daily or weekly tensions no longer collect as they did, which allows him some physical improvement—but he also feels that if he really relaxed he would only do the dishes or whatever. The world would hardly fall in if neither of you did anything for several days. The relaxed body, however, the truly relaxed body, can physically perform of course far better than the tense one.