1 result for (book:tps5 AND heading:"delet session septemb 6 1978" AND stemmed:world)

TPS5 Deleted Session September 6, 1978 8/42 (19%) Stuart hero threats cloning Francisco
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session September 6, 1978 9:25 PM Wednesday

[... 4 paragraphs ...]

(The episode upset Jane considerably—more so than she realized it did, at first. Not only because of the lost time and probably vain effort involved, but because as she talked, she knew she was saying things that applied to her as well. “You’ve got to turn your world upside down,” she told Stuart. “If you don’t like the reality you’ve created, change your focus. Give yourself a chance to use your own creative energy....” After Stuart finally left, to stay at the YMCA, she walked in the kitchen, better than I’d seen her do in some time. She slept fitfully, thinking of him often when she woke up. She talked about him today. We wondered what he was doing today. He’d talked about going north, or heading back to San Francisco, where he’d seen helicopters changing their courses in the sky to fly directly at him.

[... 1 paragraph ...]

(Today we received a very disturbing letter from Miss Bowman. She’s selling her home and leaving the valley; she has a painting I gave her years ago that she wants me to have back, so Jane and I will probably make the trip to Athens, PA this Sunday. Miss Bowman was my art teacher in high school. She lent me the money to go to art school in New York City. I paid her back out of my wages in the Air Transport Command when I was drafted to serve in the military in World War II.

[... 9 paragraphs ...]

Ruburt is correct: he could be a hero of a short story, and so he appears to himself. It is his way of gaining stature in a world he believes is meaningless. He is afraid that he has few abilities of any kind, so he must of course take steps to see that they are never put to the test in the physical world—hence, some disaster or another always prevents the great creativity that he says he has to offer.

(9:43.) He cannot be happy, however, with the circumstances, for if he were the entire fabric of the drama would appear false. He must make token efforts, therefore, to break away—efforts that must be futile, because if they worked he would be in the “real world.”

[... 4 paragraphs ...]

(10:02.) He expresses in exaggerated form many quite paranoid tendencies that are considered in a milder version as quite normal. The big corporations are out to rule the world. He sees the oil company people out there with helicopters and sophisticated machinery that destroys people’s vital energy—simply a more colorful, exaggerated version of the same idea personally applied.

[... 5 paragraphs ...]

You are concerned with what is wrong with the world. You want to know why it is not better than it is. You want to know how reality is created—how and why people create lives that seem to be less than desirable.

[... 4 paragraphs ...]

(10:30.) You always help those you see—and they present themselves to you not only for themselves, but for others. You are examining the human condition, but seeking answers from the highest reaches of its capabilities. These are goals you set yourselves. If you set out to discover what was right with the world, you would be on a different path. There is much right with the world.

Give us a moment.... Be sure you do not close your eyes to the miracles of the world. Your point was a good one—the young man walked a good way—the energy was there to sustain him even over his delusions. Beliefs show themselves, however, far more clearly, and can be examined better, through the type of experience those people bring.

[... 6 paragraphs ...]

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