“Seth material” search engine (Jane Roberts)

Always remember the vitality that sustains them, and that supports them. It is not withdrawn, even though the constructions they form may seem to be extremely faulty. There is much left unsaid, simply because some information available to me cannot be translated properly in ways that will make sense to you. There are explorations of emotional content, for example, very difficult to explain, in which intensities of emotion are explored for their own sake, as one might experiment with the values of red or black—not caring what the form of the painting was.

You might think of a tragic opera, or a musical composition, and so some lives focus upon intensities whose form is not perceived, and which deals with a kind of power that is itself the experience. I can go no further with that verbally.

(I’d say that we can follow Seth’s analogy about the emotional intensities, above, okay, and also that we try not to be blind to values in life that might not be readily apparent in ordinary terms. I think I’ve wondered more than once, for instance, about what purposes a given life may be serving that we’re quite unaware of, or blind to.)