“Seth material” search engine (Jane Roberts)

I am doing my best to explain. I do not want you to think I am without compassion. Novelists create heroes who must overcome obstacles. Some such characters are brave and upright; some of your heroes are scoundrels. Then there are, say, the hunchback of Notre Dame or Frankenstein. In your living you literally bring your ideas to life. You form the story of your life. You are involved in a study of the full dimensions of experience, in the interpretation of events themselves. You are involved in a living process—but one of such multidimensional activity that sometimes you see of course but one chapter in a saga whose full complexion is far different.

(10:02.) He expresses in exaggerated form many quite paranoid tendencies that are considered in a milder version as quite normal. The big corporations are out to rule the world. He sees the oil company people out there with helicopters and sophisticated machinery that destroys people’s vital energy—simply a more colorful, exaggerated version of the same idea personally applied.

Always remember the vitality that sustains them, and that supports them. It is not withdrawn, even though the constructions they form may seem to be extremely faulty. There is much left unsaid, simply because some information available to me cannot be translated properly in ways that will make sense to you. There are explorations of emotional content, for example, very difficult to explain, in which intensities of emotion are explored for their own sake, as one might experiment with the values of red or black—not caring what the form of the painting was.

You might think of a tragic opera, or a musical composition, and so some lives focus upon intensities whose form is not perceived, and which deals with a kind of power that is itself the experience. I can go no further with that verbally.