1 result for (book:tps5 AND heading:"delet session octob 18 1978" AND stemmed:what AND stemmed:realiti)
[... 1 paragraph ...]
(Jane’s physical condition continues to change and improve. She’s now walking again with the table, two or three times a day, and seemingly better each time. Tonight she did very well. We seem to be doing things much better these days. I’m typing Session 74l for “Unknown” Reality. She’s finished with Seven Two, etc., so I think these events have also helped initiate changes.
[... 13 paragraphs ...]
(9:33) I have said—too often—that the body was not diseased, and it is not. The speed, the normal agility, is there to be unlocked. Forget what you have heard, again, about what the body can and cannot do, or what must happen before such and such a performance appears, for the body itself exults in creative unpredictability, and given the chance loves to perform.
[... 4 paragraphs ...]
Ruburt might go on television for example 50 times—to be met by applause, acclaim and understanding, but in his reality, imaginatively, he would be met by scorn and derision. He need never go on television, but he must understand that the safety factor is built-in, and is dependable
[... 2 paragraphs ...]
(9:45.) Ruburt’s fears gave him a black-or-white attitude; he must be public or private. There are many gradations between the two that would suit him quite well. What he is feeling now is the natural energy that comes through his physical being.
[... 1 paragraph ...]
There is no doubt Ruburt has made a breakthrough—and so have you, in terms of your ideas—for what I call illustrated Seth material. For you will find that you are uniting abilities, so that writing and painting no longer seem “opposing” abilities, with a distance between them. You will find that they are both creative arms of your basic psychic being, and that both abilities will be sharpened and fulfilled as a result.
[... 4 paragraphs ...]
(Seth’s reference to “illustrated Seth material” stems from ideas I’ve mentioned to Jane recently. I’ve had them for some time, actually, and they involve either black-and-white or color illustrations for some of my own psychic adventures, perhaps to be used in a work like Through My Eyes. I wouldn’t mind doing some work on the project when I finish “Unknown” Reality this weekend, along with other things in the works. One advantage would be that it would unite the art and writing aspects—particularly paintings of some of my dreams.)