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TPS5 Deleted Session October 11, 1978 4/42 (10%) Poett poverty imagination demeaning motives
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session October 11, 1978 9:32 PM Wednesday

[... 24 paragraphs ...]

(“Do you want to say something about the Voice?” In a rather funny confrontation, Seth and I stared at each other for a few moments. My question of course grew out of the first installment of the story about us and Seth that was published earlier this week in the Village Voice. Our feelings about it ranged all the way from ridicule to a grudging understanding that Jim Poett had worked hard on the piece. We think the pictures are especially bad, yet could see why the Voice had chosen the ones they did.

[... 1 paragraph ...]

I cannot say anything simply about the Voice.

[... 1 paragraph ...]

(10:10.) Give us a moment.... The Voice has artistic pretensions. It is read by the “professional” nonconformists. To read it is a badge of individuality in the city. It is sardonic, coolly critical, hip, righteous for the underdog, and with all of this a carrier now and then for new ideas of format for initiators. It is intellectual, yet carries the underlaying thrust of emotional hope—the distorted voice of the beleaguered, weary, ironic idealists.

[... 4 paragraphs ...]

The Village Voice is probably read by more creative young people, and more people in the arts, than any other New York paper. To those people the new journalism is transparent. They see it as the current necessary way to write—the in things, but most of them unconsciously understand the reasons behind the techniques, as I explained them earlier.

[... 7 paragraphs ...]

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