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TPS5 Deleted Session October 11, 1978 7/42 (17%) Poett poverty imagination demeaning motives
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session October 11, 1978 9:32 PM Wednesday

[... 15 paragraphs ...]

Give us a moment.... Again, you have a joint reality, in all aspects. Apply what I said about wealth to health. The creative abilities are always released when the will and the imagination are together, in whatever area.

Your willingness to help Ruburt walk, your encouragement—these are all important, but the most important issue is the unity, in practical terms, of imagination and will, and the generation of creative ability in health terms, that can be sparked.

[... 12 paragraphs ...]

This means of course that deeply felt hope must be sardonically examined, that deeply buried faith must be stated with parried thrusts, and to that extent the paper speaks for a concentrated portion of your population so that our Jim Poett, who is a poet at heart, must appear in the slightly worn cloak of the skeptic. He must show that for all of his youth he is world-weary, not easily taken in, that he is objective—and only then can he allow his creative abilities to flow.

[... 1 paragraph ...]

Now innovators are not conformists. Creative people do not fit into your society, so often they will indeed appear as the eccentrics, the disinherited, the mad, the obsessed, or whatever—because their desires and intents, their imaginations and their wills, are not satisfied by the tenets or organizations of the conventional world.

They are trying things that other people will not try—being creative in whatever area is open to them, so that often the creativity itself has a strained or even grotesque air. Some people who write you are like that. They are looking for a rational pattern large enough to contain and explain and focus their own misunderstood creativity.

The Village Voice is probably read by more creative young people, and more people in the arts, than any other New York paper. To those people the new journalism is transparent. They see it as the current necessary way to write—the in things, but most of them unconsciously understand the reasons behind the techniques, as I explained them earlier.

Ideas are used in astounding fashions by creative people, and so many who read the article will in their own way use it as highly creative material. You both think that Ruburt’s position is a poor one in society — that people regard mediums as spooks, or weird. Those beliefs helped give you your photographs, because, while you don’t like the idea, you believe it.

[... 6 paragraphs ...]

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