“Seth material” search engine (Jane Roberts)

In a manner of speaking there is no Prentice, but a group of individuals in certain positions. The creator’s feeling toward his creative product—or hers—largely determines its development, its progress, its distribution, and so forth.

(Pause at 9:4l.) If, hypothetically, either of you believe that Prentice is trying to “screw you up,” and if you accept that statement, or belief, then invisibly you set out to prove it. The evidence comes in. In your society writers need publishing houses. Most publishers are businessmen. They rarely pretend to be themselves creative—yet all publishers, and people who work for them, are also intrigued by the products of creativity, and at least to some degree, being well reimbursed, they do indeed use their quite different abilities to distribute the creative products that they could not themselves initiate. To date, and in the long run, and despite quite legitimate gripes, considering the nature of our books, and your own joint characteristics, Prentice has been a good choice.