“Seth material” search engine (Jane Roberts)

(We also agreed to try to get something for Frank Longwell, who has embroiled himself in a bind with taxes, business, “the Edgecomb affair,” and related troubles, mostly unknown to us until very recently.

Let us change our viewpoint, and consider someone who thinks of financial security as a threat—or rather, believes that overall it is damaging to initiative. We come then to Frank Longwell.

Now what does youth mean to many? A time of conflict, and emotional turmoil. Certainly the young are usually poor, rather than rich, and what is best to shock a complacent mind out of its complacency—its feared complacency? For Frank was not complacent, but feared that age would make him so—hence a conflict. Its very emotional vividness tells him he is not old and complacent, and its financial elements certainly make clear to him that he is not seeping in elderly security. No indeed—he is pushed toward action.

Simply a beautiful symbol of communication, for you wanted to voice your resentment again, but covered it over. And with Frank in terms of probabilities, the Edgecomb adventure may still go through—but Frank and his brother each gave the gentleman permission to act as he has. Frank wanted that excitement. To a lesser extent now, the same applies to Eve, for she likes her unpredictability coated just a bit with some security. But this time of emotional turmoil takes their minds off the fact that their children are grown, and adds a new challenge—one that convinces them that life is still exciting, that you must be on your toes. It even brings them closer together.