“Seth material” search engine (Jane Roberts)

(9:20.) Now you are in a position where you see the intersection point where art meets the practical world. That point is the publishing house. With painting it would be the gallery. You do not understand that your own abilities give you a far clearer picture of the “ideal,” for example. You have understood that visually you see details that others do not—simply the world at large. In the same fashion, however, you see, say, book jackets, ideal situations, in a way that the people in the business world simply do not—and you do become literally outraged when their vision proves to be so inadequate.

(9:47.) The idea of a simple job attracts you because it separates your ideas of art from money—but in order to content you it could not involve money at all, for even commercial art brings you to the matter of the artistic ideal and its practical presentation.

(Long pause at 9:55.) I do not want to define for you an ideal picture to which you can never live up. That is, I do not want your practical experience of life to seem inferior as you are in the process of learning how to live in a new fashion. The patterns of give-and-take between you and others are actually very simple to describe and delicate at a certain level of activity. There is some material of course that I have not given, though I will, because it would seem to you initially that in the light of what is possible, you were doing poorly—where instead in the light of your reality at this time, you are doing well. You must realize that you are judging your behavior by standards that are very high indeed, and that you are in a situation in which, say, all of the facts are not yet in. You have been geared to disapprove of yourselves, you have been taught to judge your performance in a very shallow fashion, according to social mores and sexual affiliation, and when you are breaking out of those patterns, you may indeed feel betwixt and between.